Bitwig studio 2 review8/2/2023 One thing is for sure, the new addition Operators totally made me a believer. One way or another, it looks tempting, so maybe I will also become one of those types myself (OK, OK … I admit I already am one). It’s quite a powerful tool that I never had time to explore in much detail, but it looks quite like a dream-come-true for all sound nerds and audio freaks. It is a modular sound design environment where you can build your own instruments or effects. The previous version of Bitwig offered The Grid. Just let your imagination fly trying different tools before or after the sampled part. Suddenly you can make a really crazy instrument by using just a part of any sample. You can go totally nuts, with all those options, like applying delay to three separate frequency ranges, adding different delays to each range, and inserting additional distortion to the highest one should you wish.Īll that modularity comes very handy when using Bitwig’s sampler. You can insert anything at any stage, be it an instrument or effect. For example, an ADSR envelope can go before or after any other chosen tool or effect. You can add almost whatever you want to those tools almost anywhere you want. This is actually where all the fun begins. Most tools are quite basic, meaning that they contain just a set of basic controllers. At first, I was a bit lost, but now I can clearly see how this modularity can boost creativity. So, modularity is something that Bitwig is known for. We will talk about Operators a bit later. On the other hand, compared to Live, Bitwig offers a much more user-friendly arranger window, being much closer to the feel and style to those that we find in Cubase, Studio One, and other similar DAWs.Īctually, the area where Bitwig really shines is in modularity, and now with the new version 4, there’s also a new set of randomizing controllers collected under a common name, Operators. In the past, I was not all that keen on working in the clip-launching window, but when using Bitwig, this has become so easy and straightforward that I’m really enjoying experimenting with different arrangements inside it. Yes, I know, that’s nothing new, but Bitwig offers a really well-organized controller window inside the clip-launching part, allowing you to easily edit and organize your clips. There’s a clip-launching one as well as the well-known linear arranger window. It is such a small detail but can be a lifesaver inside a particular MIDI clip allowing you to revise it to the finest detail without closing the Key/MIDI editor window.īitwig also has two sequencers that are presented in the same window. Here’s just one example: having an automation lane present inside the Key/MIDI note editor where all note expressions reside. As they say: the devil’s in the details, and Bitwig brings plenty of those details. Granted, there is no one-DAW-fits-all solution in the virtual domain, but there are still plenty of detailed features present here. It also brings some tools and options that are quite familiar to users of other mainstream DAWs, but with a bit different approach or improved workflow. It offers you all kinds of modest tools from the Electro world that you can effectively utilize in the Rock world.Īlong with all that – Bitwig brings some quite unique solutions to common challenges. Also, Bitwig allows you to do all sorts of gymnastics with audio clips, using and abusing Bitwig’s modular approach to building quite innovative effects chains that can be applied to any clip inside a track. On the other hand, I discovered that this is a dream-come-true host for mixed genres, using the best possibilities from both the virtual and the real worlds. As version 4 introduces audio comping, there are no more excuses why you would want to avoid recording your guitar or any other live instrument. Actually, it offers everything you’ll ever need to start or finish a song, no matter what genre you are working on – rock, pop, electro, metal or EDM, to name just a few. After spending some quality time with Bitwig, I realized that it is far more than that. That’s quite a mistaken impression, I have to say. Or maybe that it’s just some colorful younger brother of Ableton Live. I suspect that we’ve all gotten some kind of impression that Bitwig is some kind of DAW for Electro and/or EDM application.
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